Scooter Morris describes themselves as a “sensory illusionist,” an artist dedicated to capturing the essence of a moment and transforming it into a visual experience. For Morris, art is not merely a reflection of reality but a deep exploration of the truths that lie beneath the surface. Each painting becomes a moment of sensory experience, a glimpse into something much larger and more profound than the immediate world we perceive. Morris’s unique approach, termed “Sculpted Paintings,” involves the integration of color, light, and texture, creating works that are deeply meaningful. Through their art, Morris seeks to foster open dialogue, particularly in these times of evolving social change, where the quest for beauty is intertwined with the pursuit of equality and justice.
At the heart of Scooter Morris’s work is a commitment to using art as a vehicle for social commentary and transformation. In their words, “We the people, have found ourselves at this defining moment, with the grand desire to change the course of our future.” This sentiment is vividly expressed in their artwork, which challenges viewers to look beyond the surface and consider the broader implications of the images before them.
Morris’s Sculpted Paintings are more than just paintings; they are a synthesis of many years of artistic exploration and experimentation. The process of combining materials, concepts, ideas, and techniques has led to the creation of works that are not only visually engaging but also rich in meaning. Each piece is a three-dimensional image presented on a two-dimensional plane, a “living piece of art” that invites viewers to engage with it on multiple levels.
One of Morris’s works, “United States of Gun,” exemplifies their approach. Measuring 36”x48”x3” and set in a vintage pine frame, this piece is a commentary on the political landscape of contemporary America. The frame itself, with its rustic Americana style, evokes a sense of nostalgia and tradition, yet the content of the painting speaks to the urgent and modern concerns of the nation.
“United States of Gun” is both relevant and timeless, a reflection of the tension between the country’s historical identity and its current political realities. The use of mixed media in this work adds layers of texture and depth, reinforcing the complexity of the issues it addresses. The painting becomes a dialogue in itself, inviting viewers to consider their own perspectives on gun violence, political power, and the American identity.
Morris’s art is not just about making a statement but about inspiring action. By revealing social injustices and suggesting possible alternatives, Morris hopes to encourage others to use their voices and engage in the process of societal change. The Sculpted Paintings, with their intricate play of color, light, and texture, are designed to provoke thought and inspire conversation. They are works of art that resonate on an emotional level, while also challenging viewers to confront the realities of the world around them.
In a time when equality and justice are at the forefront of public consciousness, Morris’s work offers a unique perspective. Their art is both a reflection of the present and a call to action for the future. By combining the aesthetic with the political, Morris creates pieces that are meaningful. The Sculpted Paintings serve as a reminder that art can be a powerful tool for change, capable of both reflecting and shaping the world we live in.
Through their work, Scooter Morris continues to push the boundaries of what art can achieve. Their Sculpted Paintings are not just visual experiences but sensory illusions that capture the essence of the moment and transform it into something larger, something that speaks to the universal truths of our shared human experience. In doing so, Morris invites us all to engage with these moments of sensory experience, to find the glimmers of truth within them, and to join in the ongoing dialogue about who we are and who we hope to become.
