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»This Long Island retreat is a neutral oasis with nautical touches
    Architecture


    This Long Island retreat is a neutral oasis with nautical touches

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    Although Albert Sebag’s oceanfront residence in Atlantic Beach, New York, is only a 40-minute drive from the city, the home “really feels like you’ve escaped to New England,” says AD100 designer Neal Beckstedt, who completed the entire land of the property. design, as well as its exteriors, over many years.

    This two-story summer house is one of several projects that Beckstedt, the founder of Manhattan-based Neal Beckstedt Studio, and Sebag, the founder and CEO of Guidepoint Global LLC, have worked on together; Beckstedt has also designed or is in the process of wrapping four additional spaces. These include Sebag’s 38,000-square-foot offices in Manhattan, his home in the West Village, a mountaintop residence in Cold Spring, New York, and an old house on the Upper East Side. “Neal really understands what I’m looking for, which sometimes isn’t always clear to me,” says Sebag. “Over the years I’ve learned to trust that he will come up with something amazing, and this approach has never failed.”

    The Atlantic Beach house sits on a very rectangular lot, but the existing structure wasn’t well positioned to fully enjoy the views of the surrounding water, Beckstedt explains, so he did a complete teardown. “It was about reimagining everything about this property and how to turn it into an amazing vacation home and beach house,” says the designer. “The problem with these square houses on small lots is that they cut the property in half, so you have a house on one side and a yard on the side,” says Sebag. “I wanted a house with a garden that runs through the property and a pool next to it, because I love a garden with grass and water running parallel to it.”

    Sebag also wanted every room to be useful and feel connected to the bayfront. “I was totally on board, even though it was so abstract compared to the houses in the neighborhood,” the owner says of the structure, which he describes as a “contemporary-looking rectangular barn with big windows.” When it was finished, he adds, “People in the neighborhood were blown away by the house, as it really stood out.”

    When designing the home’s interior, “I wanted it to have a little edge,” says Beckstedt, noting that many modern homes lack personality. “I wanted this to have some zest.” Sebag likes to sail and fish, and Beckstedt wanted to weave those motifs into the house, too, to design “a Nantucket house, but with a sleek, masculine, modern take.” The house’s ebonized and brushed knotty cedar walls create an effect that resembles the shou sugi ban technique.

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    Sonja Kalb: Whispering Forest III — Exploring the Poetry of Nature Through Abstraction Born in Stuttgart, Germany, contemporary abstract artist Sonja Kalb brings together a refined understanding of design and an expressive approach to painting. Holding a Dipl. Ing. degree in Textile and Design, she developed a strong appreciation for material experimentation, structural harmony, and the relationship between color and form. These influences remain evident in her artistic practice, although her work has gradually moved beyond technical precision toward a more spontaneous and emotionally driven visual language. Based in Düsseldorf, Germany, Kalb creates paintings that explore the shifting qualities of nature through rich textures, fluid gestures, and vibrant color combinations. Her compositions balance moments of intensity with passages of quiet reflection, revealing an ongoing fascination with the natural environment. Through abstraction, she transforms familiar impressions of landscapes into immersive visual experiences, encouraging audiences to discover their own emotional connections with the worlds she creates. A Journey Through Color, Light, and the Natural World In Whispering Forest III, mixed media on canvas, 120 × 80 cm, Sonja Kalb presents an evocative interpretation of the natural world, where color, texture, and movement come together to suggest the mysterious atmosphere of a forest. Rather than portraying a recognizable landscape, the artist creates an imaginative environment that captures the sensations of being surrounded by dense vegetation, shifting light, and organic forms. The composition offers a compelling balance between visual complexity and atmospheric tranquility, inviting viewers to explore its many layers. A rich spectrum of greens dominates the painting, ranging from deep forest shades to brilliant turquoise and softer emerald tones. These colors establish an immediate connection with the vitality of nature, suggesting flourishing vegetation and the constant renewal of the environment. Kalb introduces darker passages throughout the composition, creating a sense of depth and mystery. These shadowed areas contrast with lighter turquoise sections, producing the impression of sunlight filtering through a dense canopy of leaves. The painting’s vertical orientation reinforces its connection to the forest. Elongated marks and downward gestures resemble tree trunks, hanging branches, and the natural patterns formed by vegetation. Yet these associations remain deliberately ambiguous. Kalb allows recognizable suggestions to emerge without defining them completely, preserving the freedom of abstraction and encouraging viewers to participate in the interpretation of the work. One of the painting’s most captivating qualities is its intricate surface. Broad, energetic brushstrokes intersect with delicate marks, translucent passages, and areas of concentrated pigment. These contrasting techniques establish a visual rhythm that moves between spontaneity and careful consideration. Certain sections appear densely layered, while others reveal glimpses of lighter colors beneath the surface. This interaction creates a sense of continuous transformation, reflecting the complexity and unpredictability of natural growth. Toward the lower portion of the canvas, pale blue and turquoise tones introduce a softer atmosphere. These luminous areas suggest an opening within the forest, perhaps a clearing, a reflection of water, or a moment when daylight reaches the ground. Scattered accents of pink, violet, and reddish orange provide unexpected points of contrast, recalling the presence of flowers, fallen leaves, or other fleeting details within the landscape. Their placement adds warmth and visual interest without disrupting the painting’s overall harmony. Kalb’s use of color extends beyond the description of natural surroundings. Green becomes a vehicle for expressing vitality, regeneration, and emotional balance, while darker tones introduce introspection and uncertainty. The luminous turquoise passages suggest openness and renewal, creating a subtle dialogue between the familiar and the unknown. Through these relationships, the painting communicates an atmosphere that feels simultaneously peaceful and alive with movement. The title Whispering Forest III introduces an additional poetic dimension. The idea of a whisper suggests something intimate, almost imperceptible, encouraging viewers to consider the quieter expressions of nature. The forest is not presented as a static setting but as a living environment filled with subtle activity. Each brushstroke seems to contribute to an imagined conversation between light, foliage, atmosphere, and the changing seasons. There is also an intriguing relationship between concealment and discovery. Certain shapes appear to emerge from the layers of paint before dissolving into surrounding colors. This visual uncertainty encourages prolonged observation, as different details become apparent with each encounter. The painting rewards curiosity, allowing its atmospheric qualities to unfold gradually rather than revealing a single, fixed interpretation. Ultimately, Whispering Forest III demonstrates Kalb’s ability to translate the sensory richness of nature into a distinctive abstract language. Through expressive gestures, luminous color relationships, and richly developed textures, she creates an environment that feels both expansive and deeply personal. The work celebrates the forest not simply as a physical place, but as a source of imagination, emotional resonance, and quiet contemplation. It invites viewers to experience nature through feeling and perception, discovering beauty within the ever-changing relationships between color, movement, and light.

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