Author: Seraphina Calder

Carolin Rechberg is a multidisciplinary artist whose work emerges from the meeting point of substance, perception, and thought. Raised in Starnberg, Germany, she navigates effortlessly between numerous forms of expression, from ceramics and drawing to installation, painting, performance, printmaking, photography, poetry, sculpture, sound, textiles, and voice. Rather than aligning herself with a single discipline, she treats art as an open field of exploration—one guided by physical engagement, rhythm, and sensory awareness. For Rechberg, creation is not merely a route toward a finished object; the act of making itself holds profound significance. Her approach is deeply embodied and immersive, activating touch,…

Working from New England along the east coast of the United States, Karla Wave builds her practice around close attention and subtle change. Her work grows out of an ongoing engagement with light, color, and natural cadence, drawing equally from landscape observation, floral imagery, and digital methods. These influences are not separated or ranked. Instead, they move together, blending and reshaping one another as the work takes form. Wave’s images are guided less by documentation and more by lived experience. Coastal air, shifting horizons, and organic structures appear as impressions rather than fixed views. Time and movement remain present in…

Sigrid Thaler is an Italian artist living and working in Milan whose practice unfolds through movement, recollection, and environment. She was born in Italy and grew up in a small mountain town, a setting defined by altitude, quiet, and slow-changing light. Those early surroundings shaped her awareness of space and atmosphere, as well as her sensitivity to the subtle relationships found in nature. Over the years, her path widened far beyond that initial landscape. Time spent living and working in Austria, Paris, Singapore, and São Paulo introduced her to a range of cultural languages—from Northern European restraint to the layered…

Born in Cuba in 1983, Reynier Leyva Novo uses art as a tool for inquiry rather than depiction. His practice explores how systems of power, memory, and belief quietly settle into everyday settings—and how those systems are upheld, questioned, or gradually dismantled. Working across sculpture, installation, sound, painting, and research-driven formats, Novo pays close attention to how history operates beneath the surface: how stories are formed, obscured, and carried forward without overt display. He often engages with symbols tied to authority and ideology, not to affirm them, but to probe what remains once their authority loses force. Novo avoids linear…

Alexandra Jicol works from a sense of linkage—between what is felt inside and what exists around us, between recollection and the present. Raised in Bucharest during a time shaped by restriction and social pressure, her upbringing carried contrasts. There was the openness of nature and the calm of rural scenery, set against the discipline and limits of an urban environment under control. These opposites stayed with her. They surface in paintings that hold ease and tension together. Airy passages sit beside tighter, compressed areas. Gentle color meets quiet unease. For Jicol, making art is a way of noticing and translating…

Julian Jollon is an American artist whose creative life has unfolded through interruption, redirection, and return. He received formal training in Fine Arts, Photography, and Painting, expecting to build a career grounded in studio work. Instead, his path shifted into a very different field. For many years, he worked in Hospital Epidemiology, a profession focused on research, systems, and the protection of human health. During that period, he also experienced a liver transplant—an event that reshaped his awareness of time, physical vulnerability, and what it means to move forward with borrowed time. When art reentered his life, it did so…

Vicky Tsalamata is based in Athens, Greece, and her print practice moves with a double vision: it looks backward into literature and moral allegory while staying locked onto the pressure points of the present. Her work circles around a familiar question—how people live together, and what they become inside systems that reward the wrong things. She borrows the wide-angle framing of Honoré de Balzac’s La Comédie Humaine, but she isn’t illustrating the book or dressing up in tribute. She’s using it as a lens: a way to scan society’s patterns, its performances, its quiet cruelties, and its daily bargains. What makes…

Born in Greensboro, North Carolina, in 1953, Vandorn Hinnant has built a long-running practice that moves easily between studio work and civic space. Early on, he was pulled toward art as both craft and way of thinking—something you can build with your hands, but also use to ask bigger questions. He earned a B.A. in Art Design from North Carolina A&T State University, then continued his training in sculpture at the University of North Carolina at Greensboro, a combination that grounded him in design structure while opening the door to form, weight, and scale. Over time, that foundation expanded into…

Sonja Kalb’s path into the art world weaves together structure, creativity, and a fearless embrace of change. Born in Stuttgart, Germany, she began in a place that might sound far from painting: textile and design engineering. That early training matters. It gave her a mind for systems—how parts relate, how materials behave, how precision can hold a form together. But what makes her practice feel alive is what she did next: she didn’t stay inside the safety of the technical world. She carried its discipline into a looser, more intuitive language, letting control and spontaneity share the same surface. In…

Haeley Kyong makes work that doesn’t ask you to “get it.” It asks you to feel it. Her practice is rooted in the idea that art can reach people before language does—before explanations, before categories, before the brain starts sorting everything into neat boxes. Kyong isn’t trying to build puzzles. She’s trying to build contact. The kind that hits you in the chest first, and only later becomes something you can describe. Born and raised in South Korea, Kyong carries that early sense of place with her, but she’s also shaped by years of living and studying in New York.…