Author: Seraphina Calder

Born in Lisbon in 1962, Miguel Barros is an artist whose work has been shaped by movement across countries, cultures, and emotional landscapes. His life has unfolded between Portugal, Canada, and Angola, experiences that continue to influence the way he approaches painting and memory. In 2014, Barros relocated from Angola to Calgary, Canada, a transition that introduced distance between himself and the city that remains emotionally central to his work: Lisbon. Rather than weakening this connection, separation appears to have intensified it. Lisbon has become more than a location in his paintings; it exists as a psychological and emotional space reconstructed through…

L. Scooter Morris creates work that refuses to sit passively in a space. Her practice moves beyond the idea of a flat image and enters something more physical, more immediate. Describing herself as a sensory illusionist, Morris constructs what she calls “Sculpted Paintings®,” layered works that shift depending on where the viewer stands, how light moves across the surface, and how the body responds to them in real time. Texture, shadow, depth, and reflection become part of the experience. Acrylic and mixed media are built outward from the canvas, creating forms that seem to hover between painting and object. The work…

Born in 1950, Huang YI Min came of age during a period of dramatic social and political transformation in China. Those early experiences became deeply embedded in the way she understands both life and art. Rather than treating painting as simple observation, Huang approaches it as a space where memory, history, emotion, and imagination intersect. Her artistic direction has been shaped not only by the environments she lived through, but also by the cultural atmosphere surrounding her formative years. Huang studied fine arts at Beijing Normal University, where she developed a strong technical foundation while refining her personal visual language. In 1997, she…

Carlotta Schiavio, also known as YaTii Talisman, moves through her work with a sense of openness shaped by a life lived across cultures. Born in Italy and raised in Ethiopia, her background draws from Italian, Russian, Syrian, Austrian, and Ethiopian roots. These influences don’t sit on the surface—they quietly inform how she sees, feels, and creates. Her path into art didn’t begin with painting. She started in jewelry design, working with form on a smaller, more intimate scale before shifting into painting in 1998. That transition marked the beginning of a broader exploration, one that has taken her across countries…

Helena Kotnik works at a point where emotion, observation, and imagination meet. Trained across major European institutions, she brings both discipline and curiosity into her practice. She holds a Bachelor’s Degree in Fine Arts from Barcelona University and the Akademie der bildende Künste in Vienna, followed by a Master’s degree. Her background is evident, but it never feels rigid. Instead, it supports a body of work that moves freely between thought and instinct. Her paintings function as open spaces rather than fixed statements. They invite reflection rather than deliver conclusions. Each piece feels like a fragment of a larger story,…

We received these works from Peter Parker. Whether that is his real name or a playful nod to comic book history, we will leave that open. It is hard not to smile at the coincidence. A name so closely tied to one of the most recognizable comic characters arrives attached to a group of paintings that look like they have stepped straight out of that world. Peter Parker is not the artist behind these works. He takes on a different role, one that often stays out of view. He encourages, supports, and sponsors the artist who created them. It is…

Kat Holmes works through painting as a way of staying close to lived experience rather than stepping back from it. A BA Fine Art graduate from the University of the West of England, she has maintained a consistent, hands-on relationship with her practice since her early twenties. Based in the North West of England, she is also a studio resident at Document in Bristol. Her work develops through repetition and revision, returning to a set of recurring concerns—love, loss, absence, and the instability of memory. These are not treated as fixed subjects but as shifting conditions. Holmes moves between instinct and control, allowing…

Christopher Diont’e works across painting, sculpture, design, and craft with a practice grounded in lived experience rather than category. Based in the Hampton Roads area, his work moves between physical labor and conceptual thinking, often closing the distance between the two. He approaches art as something built as much as it is imagined. Oil, bronze, wood, and fabric are not separate paths, but part of one continuous language. At the center of his work is a directness that does not hide process. Diont’e leans into transparency, showing how something is made and what it requires. His paintings carry weight through…

Cynthia Karalla is an American artist working at the intersection of activism, material exploration, and a clear, direct visual language. Her background began in architecture, later moving into photography, and eventually expanding into a broader fine art practice that resists simple definition. Across these shifts, one consistent thread remains: a focus on examining systems—political, social, and visual—and translating them into something physical. Karalla treats materials almost like a photographic process, taking what feels dense or distant and bringing it into view with intention. Her work exists in a space of contrast, balancing order with disruption, and content with form. By…

Allan Wesaquate’s image of Bernadine is rooted in a specific moment and place. The photograph was originally taken in 1993 in Vancouver, British Columbia, during a period when the artist was doing street photography. The subject, identified as Bernadine, appears in a candid setting, consistent with the nature of street-based work. There is no indication of staging or studio involvement; the image comes from direct observation in a public environment. The image of Bernadine, captured in Vancouver, British Columbia, carries the directness of street photography. There is nothing staged about it. The subject appears caught in a quiet moment, her posture…