Hazel Wynn, a Jersey-born artist with a passion for color, draws inspiration from the world around her to create vibrant and emotionally resonant paintings. Trained at Chelsea College of Art in London, where she specialized in Textile Design, Hazel’s artistic journey has taken her from selling hand-painted textile designs internationally to dedicating her time to practicing Fine Art back in Jersey. Hazel draws her influences from early abstractionists and the Washington Color group, particularly artists like Helen Frankenthaler, Morris Louis, and Paul Jenkins. The core of Hazel’s work revolves around the exploration of color and its intricate relationships. Her paintings, such as the “Back and Forth,” serve as windows into her world of emotional responses to nature. The artist approaches her canvas with a deliberate technique, laying it flat and often on the floor. Through a meticulous process of pouring and pulling liquid pools of paint across the surface, Hazel navigates the delicate balance between control and unpredictability. Her carefully layered swathes of color build depth and contribute to an overall sense of harmony and balance.
Hazel Wynn has a new exhibition coming up. She is part of the group exhibition “Cosmos,” which delves into the vastness and intricacies of the universe. The term “cosmos” serves as an alternative name for the universe, encompassing its nature and order. This word implies a perception of the universe as a complex and orderly system, inviting exploration into the reasons behind its existence and significance. The cosmos has been a subject of study for centuries, spanning various disciplines such as science, religion, and philosophy. These disciplines have historically been utilized to probe into different aspects of the universe and its connection to the natural world.
In etymology, the verb “cosmos” also conveys the idea of adorning or dressing, particularly in reference to women. In ancient Greek, “kosmos” referred to the decoration of ornaments, the styling of hair, and cosmetic treatments, symbolizing an orderly arrangement for both the body and the mind.
Early Europeans perceived the cosmos as divinely created by God, leading to a belief in constant combination, separation, and recombination of its chaotic elements—earth, air, fire, and water. This theory persisted until the Scientific Revolution, when the discovery of the Sun’s central position in the planetary system revolutionized cosmological understanding. Despite these shifts in understanding, artists have long been captivated by the depiction of the universe and nature. They are inspired by the natural world and the cosmic forces that shape their ideas and studio practices.
Hazel Wynn’s artistic journey is a testament to the power of color and its intricate relationships. Her technique, involving the deliberate pouring and pulling of liquid pools of paint, creates a delicate balance between control and unpredictability. Hazel’s upcoming exhibition, “Cosmos,” is a fitting continuation of her exploration of the universe and its intricacies. The term “cosmos” not only refers to the vastness and order of the universe but also to the idea of adorning or dressing, symbolizing an orderly arrangement for both the body and the mind. Throughout history, artists have been inspired by the natural world and the cosmic forces that shape their ideas and studio practices, and Hazel Wynn’s work is a beautiful example of this enduring fascination.
