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    Home»Artist»Helena Kotnik: Painting the Complexities of the Human Condition
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    Helena Kotnik: Painting the Complexities of the Human Condition

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    Helena Kotnik is an artist whose work sits at the crossroads of vivid aesthetics and deep psychological inquiry. With a Bachelor’s degree in Fine Arts from Barcelona University and Akademie der bildenden Künste in Vienna, Helena has honed her craft with precision and thoughtfulness. A subsequent Master’s degree adds further depth to her perspective, enabling her to explore themes that traverse societal and personal landscapes.

    Her work, which she describes as “psychological human landscapes,” delves into the complexities of human experience. Each piece acts as a mirror, reflecting the intricate weave of emotions, identities, and social constructs that shape our lives. Helena’s art is not confined to the canvas—it is a dialogue, one that engages with both the past and the present.

    Helena’s approach to art is introspective yet vibrant. Her works often blend mediums—gouache, ink, pencil colors, soft pastel, and watercolor—to create layered compositions. This multi-medium technique allows her to capture the nuanced textures of psychological and social realities. Her paintings carry a sense of naivety in their aesthetic, yet they are anything but simplistic. They serve as quiet but potent communicators of the complexities we often overlook in daily life.

    Drawing inspiration from the vast array of artists who have shaped art history, Helena engages with tradition while anchoring her work in contemporary relevance. This duality makes her creations timeless yet deeply connected to the present.

    Measuring 70 x 50 cm, this piece is a bold exploration of reality and its clichés. Created using gouache, ink, pencil colors, soft pastel, and watercolor, PORSCHE embraces the formulas and stereotypes that define contemporary existence. It transforms these conventions into something both factual and imaginative, challenging the viewer to reconsider their perceptions. The title itself hints at materialism and identity, encouraging reflection on how cultural symbols like luxury cars shape societal values.

    This 100 x 70 cm piece combines pencil colors and watercolor to explore the multifaceted experience of queerness. The artwork’s title and accompanying description confront the dualities within LGBTQ+ identity—joy and anger, pride and pain. Helena captures these emotions with sensitivity, using color and form to express the range of feelings associated with the term “queer.” The quote included with the piece highlights the reclamation of a term once used to marginalize, transforming it into a badge of resilience and individuality.

    Helena’s art often feels like a conversation—one where history and the contemporary moment are equally present. Her use of vibrant color and dynamic forms draws viewers in, while her layered themes invite contemplation. She blends inspiration from past art movements with her unique lens on modern life, ensuring that her work remains accessible and thought-provoking.

    Her ability to weave narratives into her paintings makes her art resonate on a personal level. Viewers are not passive observers but active participants, encouraged to reflect on their own experiences and the world around them. This interplay between artist and audience enriches the depth of her work.

    What sets Helena apart is her ability to communicate complexity without overwhelming. Her works may appear playful at first glance, but they carry profound undercurrents. This balance between naivety and depth is a hallmark of her style. Whether she is addressing societal clichés, personal identity, or collective memory, Helena’s art always leaves room for interpretation.

    Helena Kotnik’s commitment to exploring the human condition, paired with her technical skill and unique voice. Through pieces like PORSCHE and QUEER, she pushes boundaries, opening windows into the complexities of society and self.

    Helena’s art doesn’t provide answers but rather asks questions—ones that linger long after the viewer has stepped away from the canvas. Her use of color, form, and narrative invites us to engage with the uncomfortable, the beautiful, and everything in between. It’s an exploration worth diving into.

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    Seraphina Calder
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