Nicola Mastroserio is not an artist who conforms to expectations. He does not chase fleeting trends or adjust his work to fit the commercial art market. Instead, his paintings are an exploration of deeper truths—questions about existence, intelligence, and the unseen forces that shape our reality. Mastroserio approaches his art with the discipline of a researcher, treating each canvas as a philosophical inquiry rather than a spectacle.
For him, art is more than a practice; it is a lifelong pursuit of knowledge. He does not simply nod to artistic predecessors like Duchamp or Beuys—he actively engages with their ideas, challenging them, reinterpreting them, and ultimately carving his own path. His work exists in a space between rebellion and introspection, between pushing artistic boundaries and resisting commodification. It is not about making a statement for the sake of disruption but about uncovering something essential. His art seeks not to decorate but to provoke thought, to question, and to search for meaning.
One of Mastroserio’s key works, The Lovers, is a large oil on canvas piece measuring 220×180 cm. The painting is not just a visual representation of romantic connection but a reflection of his broader artistic philosophy. Addressing Anna, a figure of significance to him, he describes his work not as a job but as a mission—one dedicated to humanity. Each brushstroke is an extension of this commitment, a way to communicate beyond words.
Mastroserio’s contributions to contemporary art go beyond individual paintings. He has developed and theorized a concept he calls Cellulismo, a universal theory that seeks to understand both material and immaterial existence. This approach is not limited to aesthetics; it is a framework for interpreting life itself. He believes art has the power to illuminate the path toward a better future, to reveal new ways of thinking and being.
One of his most defining works, Universal Symbol of Life (oil on canvas, 100×100 cm), embodies this philosophy. The piece incorporates three core values: peace, love, and brotherhood. It is not just an artwork but a message, a vision for humanity. Mastroserio sees art as a force that unites rather than divides, a medium through which he can share his deep love for people and the planet.
His approach is both simple and profound: everything created with love and for love endures. He believes in the power of art to contribute to human progress, to serve as a common good, and to shape a hopeful future. His work is a declaration—one that resists destruction and remains dedicated to life, knowledge, and the collective spirit of humanity.
At its core, Mastroserio’s art is a reflection of his unwavering belief in human potential. He does not create for the sake of personal recognition or market demand. Instead, he paints because he must—because art, for him, is inseparable from existence itself. His gratitude, expressed to those who support his journey, is sincere. But even without an audience, his work would persist. It is not dependent on validation but driven by something far greater: a relentless pursuit of truth and a deep love for the world and the people in it.
