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    Home»Artist»Visit a London-based designer’s Victorian renovation that flows from within
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    Visit a London-based designer’s Victorian renovation that flows from within

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    When Mexican designer Stephanie Barba Mendoza and her Austrian husband moved into their Victorian home in northwest London seven years ago, the writing was on the walls for a renovation, at some point. With the shell already in “pretty good shape”, new paint and carpets made it ideal for their growing family. Still, as Mendoza adds, “it was always in the cards to do an expansion: make the kitchen bigger, change the bathrooms, make some aesthetic changes.” In 2022, she and her husband Bernhard, together with their children aged eight and five, found the time and courage to make it possible. “We were finally brave [enough]!” she declares.

    Their three-story home in Queen’s Park buzzes with striking hues, whimsical motifs and the family’s playful personality. “With my own house, I have no limits,” explains the designer. “I just go all out. My house is a bit like my laboratory. That’s where you can push, push, push the limits.” He also pushed the physical limits of the house itself in the form of a rear extension, which expanded the kitchen space- dining room to the garden. The team lowered half a meter at the low back of the house to create “a very large ceiling height, which feels much more generous”. They also decided to “creep up”, reimagining the children’s bathroom and a series of bedrooms during the eight-month process.

    Progress came to a slight halt when a small mistake in planning permissions caused a slowdown and months without their living room furniture, which had been put away. “Because of that delay, we [broke ground] in November, digging in the middle of winter. It was a challenge, coming from cold, gray London into a muddy hallway and a drafty house,” she says. (“‘What have we done!'” she said during a conversation with Bernhard, as Mendoza recalls with a laugh. ) Significant creative collaboration between the two was also an integral part of the process: “I usually think about what I want, and maybe I have three ideas or options… Then I show them to my husband; narrow as if he were the client. Bringing it and making it part of it also helps me,” says Mendoza.

    The focal point of the renovation, the kitchen, was designed to cultivate a “warm and welcoming” atmosphere, with a custom dining table in the center, a furniture placement that he says is “much more sociable, [and] with small children, much more practical”. Although the family sacrificed some outdoor space for the addition, they didn’t want to compromise on green vibes.

    Mendoza opted for the botanical wallpaper in the dining room to play with the patio visible outside, while the large rope beads helped to “create some kind of architectural separation without it being a wall or a partition. [It’s] an extension of the garden”.

    The result? In the summer, the space “feels like a continuous, indoor-outdoor zone,” and in the winter, lighting placed in the patio’s flower beds means the family can “enjoy them from the inside.” Speaking of green, the hue adorns the metal doors and window frames, as well as the patio floor; the designer points out: “I wanted that green theme to be carried everywhere. It has a calming effect. the patio [ground] it looks like a garden. Everything is cheating; it’s such a small space but it makes it feel bigger!” Fantastic Balineum tiles, hand-painted with Gergei Erdei’s artwork of the family’s astrological signs, placed throughout the kitchen, provide a fun finishing touch.

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Through abstraction, she transforms familiar impressions of landscapes into immersive visual experiences, encouraging audiences to discover their own emotional connections with the worlds she creates. A Journey Through Color, Light, and the Natural World In Whispering Forest III, mixed media on canvas, 120 × 80 cm, Sonja Kalb presents an evocative interpretation of the natural world, where color, texture, and movement come together to suggest the mysterious atmosphere of a forest. Rather than portraying a recognizable landscape, the artist creates an imaginative environment that captures the sensations of being surrounded by dense vegetation, shifting light, and organic forms. The composition offers a compelling balance between visual complexity and atmospheric tranquility, inviting viewers to explore its many layers. A rich spectrum of greens dominates the painting, ranging from deep forest shades to brilliant turquoise and softer emerald tones. These colors establish an immediate connection with the vitality of nature, suggesting flourishing vegetation and the constant renewal of the environment. Kalb introduces darker passages throughout the composition, creating a sense of depth and mystery. These shadowed areas contrast with lighter turquoise sections, producing the impression of sunlight filtering through a dense canopy of leaves. The painting’s vertical orientation reinforces its connection to the forest. Elongated marks and downward gestures resemble tree trunks, hanging branches, and the natural patterns formed by vegetation. Yet these associations remain deliberately ambiguous. Kalb allows recognizable suggestions to emerge without defining them completely, preserving the freedom of abstraction and encouraging viewers to participate in the interpretation of the work. One of the painting’s most captivating qualities is its intricate surface. Broad, energetic brushstrokes intersect with delicate marks, translucent passages, and areas of concentrated pigment. These contrasting techniques establish a visual rhythm that moves between spontaneity and careful consideration. Certain sections appear densely layered, while others reveal glimpses of lighter colors beneath the surface. This interaction creates a sense of continuous transformation, reflecting the complexity and unpredictability of natural growth. Toward the lower portion of the canvas, pale blue and turquoise tones introduce a softer atmosphere. These luminous areas suggest an opening within the forest, perhaps a clearing, a reflection of water, or a moment when daylight reaches the ground. Scattered accents of pink, violet, and reddish orange provide unexpected points of contrast, recalling the presence of flowers, fallen leaves, or other fleeting details within the landscape. Their placement adds warmth and visual interest without disrupting the painting’s overall harmony. Kalb’s use of color extends beyond the description of natural surroundings. Green becomes a vehicle for expressing vitality, regeneration, and emotional balance, while darker tones introduce introspection and uncertainty. The luminous turquoise passages suggest openness and renewal, creating a subtle dialogue between the familiar and the unknown. Through these relationships, the painting communicates an atmosphere that feels simultaneously peaceful and alive with movement. The title Whispering Forest III introduces an additional poetic dimension. The idea of a whisper suggests something intimate, almost imperceptible, encouraging viewers to consider the quieter expressions of nature. The forest is not presented as a static setting but as a living environment filled with subtle activity. Each brushstroke seems to contribute to an imagined conversation between light, foliage, atmosphere, and the changing seasons. There is also an intriguing relationship between concealment and discovery. Certain shapes appear to emerge from the layers of paint before dissolving into surrounding colors. This visual uncertainty encourages prolonged observation, as different details become apparent with each encounter. The painting rewards curiosity, allowing its atmospheric qualities to unfold gradually rather than revealing a single, fixed interpretation. Ultimately, Whispering Forest III demonstrates Kalb’s ability to translate the sensory richness of nature into a distinctive abstract language. Through expressive gestures, luminous color relationships, and richly developed textures, she creates an environment that feels both expansive and deeply personal. The work celebrates the forest not simply as a physical place, but as a source of imagination, emotional resonance, and quiet contemplation. It invites viewers to experience nature through feeling and perception, discovering beauty within the ever-changing relationships between color, movement, and light.

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