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»A creative London couple turned their kitchen into green ‘Practical Magic’
    Architecture


    A creative London couple turned their kitchen into green ‘Practical Magic’

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    Tom Pyne and Lara Goodison started things slowly. When they first came across this historic building in South West London, they got butterflies from its location alone. “It’s situated on the banks of the River Thames, just down the road from the charming village of Barnes,” says Lara. “The view of the water is incredibly peaceful and offers an escape from the hustle and bustle of the city, and the building itself has lovely period features.”

    As a young couple where they both work as creatives – Tom started the clothing brand Chelsea Peers and Lara co-founded the art company Brush and Bubbles – they rented until the opportunity arose to have an apartment in the same building. By then, of course, they were so in love with the stage that they all decided to go. But it must be said: they knew that decision meant accepting all the flaws of their new home.

    AFTER The couple hoped to achieve

    AFTER: The couple hoped to achieve “Practical magic chic” with a moody palette that completely saturated the kitchen. They worked with Devol to mix a custom shade of green, which covers the walls, ceiling and cabinets.

    RETURN

    “When we bought the property, the kitchen had insufficient natural light and all the original features had been lost over the years,” says Tom. “Our house often serves as a hub for late-night brainstorming sessions and also as a backdrop for impromptu fashion shoots and as an art studio. Lots of random things often happen!”

    Tom and Lara began a full renovation of their home last March, which was completed earlier this year, and hired Devol to renovate the kitchen and dining room in a style that would blend the past with the present. “We wanted to create a quiet, moody space,” says Tom.

    Location: Barnes, London. “Barnes is a hidden gem within the city, offering a unique blend of urban vibrancy and village tranquility,” says Tom. “There are independent boutiques, a classic cinema and lush parks.”

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    Sonja Kalb: Whispering Forest III — Exploring the Poetry of Nature Through Abstraction Born in Stuttgart, Germany, contemporary abstract artist Sonja Kalb brings together a refined understanding of design and an expressive approach to painting. Holding a Dipl. Ing. degree in Textile and Design, she developed a strong appreciation for material experimentation, structural harmony, and the relationship between color and form. These influences remain evident in her artistic practice, although her work has gradually moved beyond technical precision toward a more spontaneous and emotionally driven visual language. Based in Düsseldorf, Germany, Kalb creates paintings that explore the shifting qualities of nature through rich textures, fluid gestures, and vibrant color combinations. Her compositions balance moments of intensity with passages of quiet reflection, revealing an ongoing fascination with the natural environment. Through abstraction, she transforms familiar impressions of landscapes into immersive visual experiences, encouraging audiences to discover their own emotional connections with the worlds she creates. A Journey Through Color, Light, and the Natural World In Whispering Forest III, mixed media on canvas, 120 × 80 cm, Sonja Kalb presents an evocative interpretation of the natural world, where color, texture, and movement come together to suggest the mysterious atmosphere of a forest. Rather than portraying a recognizable landscape, the artist creates an imaginative environment that captures the sensations of being surrounded by dense vegetation, shifting light, and organic forms. The composition offers a compelling balance between visual complexity and atmospheric tranquility, inviting viewers to explore its many layers. A rich spectrum of greens dominates the painting, ranging from deep forest shades to brilliant turquoise and softer emerald tones. These colors establish an immediate connection with the vitality of nature, suggesting flourishing vegetation and the constant renewal of the environment. Kalb introduces darker passages throughout the composition, creating a sense of depth and mystery. These shadowed areas contrast with lighter turquoise sections, producing the impression of sunlight filtering through a dense canopy of leaves. The painting’s vertical orientation reinforces its connection to the forest. Elongated marks and downward gestures resemble tree trunks, hanging branches, and the natural patterns formed by vegetation. Yet these associations remain deliberately ambiguous. Kalb allows recognizable suggestions to emerge without defining them completely, preserving the freedom of abstraction and encouraging viewers to participate in the interpretation of the work. One of the painting’s most captivating qualities is its intricate surface. Broad, energetic brushstrokes intersect with delicate marks, translucent passages, and areas of concentrated pigment. These contrasting techniques establish a visual rhythm that moves between spontaneity and careful consideration. Certain sections appear densely layered, while others reveal glimpses of lighter colors beneath the surface. This interaction creates a sense of continuous transformation, reflecting the complexity and unpredictability of natural growth. Toward the lower portion of the canvas, pale blue and turquoise tones introduce a softer atmosphere. These luminous areas suggest an opening within the forest, perhaps a clearing, a reflection of water, or a moment when daylight reaches the ground. Scattered accents of pink, violet, and reddish orange provide unexpected points of contrast, recalling the presence of flowers, fallen leaves, or other fleeting details within the landscape. Their placement adds warmth and visual interest without disrupting the painting’s overall harmony. Kalb’s use of color extends beyond the description of natural surroundings. Green becomes a vehicle for expressing vitality, regeneration, and emotional balance, while darker tones introduce introspection and uncertainty. The luminous turquoise passages suggest openness and renewal, creating a subtle dialogue between the familiar and the unknown. Through these relationships, the painting communicates an atmosphere that feels simultaneously peaceful and alive with movement. The title Whispering Forest III introduces an additional poetic dimension. The idea of a whisper suggests something intimate, almost imperceptible, encouraging viewers to consider the quieter expressions of nature. The forest is not presented as a static setting but as a living environment filled with subtle activity. Each brushstroke seems to contribute to an imagined conversation between light, foliage, atmosphere, and the changing seasons. There is also an intriguing relationship between concealment and discovery. Certain shapes appear to emerge from the layers of paint before dissolving into surrounding colors. This visual uncertainty encourages prolonged observation, as different details become apparent with each encounter. The painting rewards curiosity, allowing its atmospheric qualities to unfold gradually rather than revealing a single, fixed interpretation. Ultimately, Whispering Forest III demonstrates Kalb’s ability to translate the sensory richness of nature into a distinctive abstract language. Through expressive gestures, luminous color relationships, and richly developed textures, she creates an environment that feels both expansive and deeply personal. The work celebrates the forest not simply as a physical place, but as a source of imagination, emotional resonance, and quiet contemplation. It invites viewers to experience nature through feeling and perception, discovering beauty within the ever-changing relationships between color, movement, and light.

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